It’s a place of extremes: blazing summers and freezing winters, droughts and floods. If you look south, you can see the road to the alpine resort of Wrightwood wind its way into the San Gabriels, and if you turn north, you’ll glimpse the purplish Tehachapis at the end of a flat, desert expanse.Īt 3,500 feet, the air is clean and sound pollution a distant memory, but the atmosphere is charged. The orchards that once lent the area its name are gone, but it is a stunningly beautiful setting. Standing atop its foundations, you will begin to notice rocky outlines through the greasewood and creosote, revealing the outlines of hundreds of structures, including houses, storage tanks and open-air aqueducts, stretching into the distance. As you slow to a crawl, a couple of chimney stacks come into view, the final remnants of a large building a few feet from the road’s shoulder. When The Laughter Stops (ft.If Los Angeles is a dream factory, then the High Desert is one of its abandoned backlots, where old props are warehoused, waiting to be reused.įive miles east of Pearblossom, in the southeastern corner of the Antelope Valley, lie the ruins of a town that wanted to change the world. Bring on whatever comes next.”īring it on, indeed – and check out the full album artwork and tracklisting below.Ĩ. As Smith says onstage, “this feels familiar but new”. “Both tracks see the band fearlessly heading away from the urgent post-punk songs that first found them an audience, but the reaction is one of chaotic euphoria. New song ‘Petroleum’ pulls from the more uptempo end of Britpop via smirking guitar riffs and electronic wig-outs that flirt with carnage the outrageous ‘Trench Coat Museum’, meanwhile, sees the group channelling dance-rock groups like Daft Punk or The Chemical Brothers with a fierce confidence. The band may be here to say farewell to The Overload, but they can’t help but give fans a glimpse of the future. “But for me, creativity always seems to be the best way of articulating the absolute minefield of what human existence is.” “You can commit to the idea that we’re just animals who eat and fuck and then we die, and that’s fine,” he suggests. “The main reason that ‘post-punk’ was the vehicle for Album One was because it was really affordable to do, but we always liked so much other music and this time we’ve had the confidence to embrace it,” James explains. Written in snapshots of time between a relentless touring schedule, and produced jointly by the band and Gorillaz’ Remi Kabaka Jr, the quartet’s second act is a giant leap forward into broad and playful new sonic waters. I’m still glad that everything that happened to me happened.” “As with pretty much everything else going through my head last year, trying to find the right time to articulate the complexity of emotions I was feeling and the severity to which I was feeling them couldn’t be found – or accommodated, so instead I tried to capture it in a pop song that lasts less than three minutes once the fog had cleared a bit. “In part I was scrutinising and mocking myself for being a moaning ungrateful little brat, whilst also trying to address how the music industry is this rather uncontrollable beast that hurtles forward unthinkingly and every single person involved in it plays their part. Speaking about the band’s latest single, ever-wry and contemplative frontman James Smith has said: “‘Dream Job’ feels like an apt introduction to the themes explored on Where’s My Utopia? – though not all encompassing. READ MORE: Future Islands announce new album ‘People Who Aren’t There Anymore’ (Ticket access is up for grabs now by pre-ordering the album ). What’s more, the band have today also shared plans for their biggest hometown show yet, at the 5,750-capacity Millennium Square Leeds, taking place on 3 August 2024. Yard Act recently revealed details of a huge 2024 tour across the UK and Europe, taking place throughout March and April of next year and including a night at Hammersmith’s Eventim Apollo we now know that come the start of the tour in Norwich (13 March) their new album will be out in the world. The new single arrives with a video directed by James Slater, marking the seventh collaboration between the band and the director – have a watch and a listen via said video below. for production duties, and has been heralded by the release of lead single ‘Dream Job’. Where’s My Utopia? sees the lads from Leeds team up with Gorillaz member Remi Kabaka Jr. The forthcoming album marks the follow-up to the band’s Mercury Prize-nominated debut The Overload, which arrived in January last year and peaked at number two in the charts.
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